Machiavelli argued that Cesare Borgia was a good ruler. (Was he?)

“I shall never hesitate to cite Cesare Borgia and his actions. This duke entered the Romagna with auxiliaries, taking there only French soldiers, and with them he captured Imola and Forli; but afterwards, such forces not appearing to him reliable, he turned to mercenaries, discerning less danger in them, and enlisted the Orsini and Vitelli; whom presently, on handling and finding them doubtful, unfaithful, and dangerous, he destroyed and turned to his own men.

And the difference between one and the other of these forces can easily be seen when one considers the difference there was in the reputation of the duke, when he had the French, when he had the Orsini and Vitelli, and when he relied on his own soldiers, on whose fidelity he could always count and found it ever increasing; he was never esteemed more highly than when every one saw that he was complete master of his own forces.”

– Niccolò Machiavelli's “The Prince” (1532), Chapter XIII

Niccolò Machiavelli

Rousseau argued that Machiavelli's choice of Borgia as his hero revealed a “hidden aim” …

More than 200 years after Niccolò Machiavelli wrote “The Prince” in 1532, Jean-Jacques Rousseau would comment on this work in 1762. In his work “The Social Contract,” Rousseau opined that “Macchiavelli was a proper man and a good citizen; but, being attached to the court of the Medici, he could not help veiling his love of liberty in the midst of his country's oppression. The choice of his detestable hero, Cæsar Borgia, clearly enough shows his hidden aim; and the contradiction between the teaching of the Prince and that of the Discourses on Livy and the History of Florence shows that this profound political thinker has so far been studied only by superficial or corrupt readers. The Court of Rome sternly prohibited his book. I can well believe it; for it is that Court it most clearly portrays.” (Source: Footnote to Book III, Chapter VI) Even Rousseau admitted that Machiavelli's hero “Cæsar Borgia” was “detestable” (calling him his “detestable hero,” after all), but he argued that this strange choice “clearly enough shows [Machiavelli's] hidden aim” right after this. In this passage, a “love of liberty” is thus implied to be a part of this “hidden aim.” Was it really so? I shall examine this question below.

Jean-Jacques Rousseau

A review of Ken Burns’ “The Vietnam War” (PBS)

“ ♪ How many roads must a man walk down,
Before they can call him a man?
How many seas must a white dove sail,
Before she sleeps in the sand? ♪

“ ♪ Yes, and how many times must the cannon balls fly,
Before they're forever banned?
The answer, my friend, is blowin' in the wind –
The answer is blowin' in the wind. ♪ ”

– Bob Dylan's “Blowin' in the Wind” (released 1963), an anti-war song not used in this film

Our national debate about the Vietnam War began during the war itself …

Our national debate about the Vietnam War began during the war itself, and continues today in full force. The Ken Burns series is just a relatively recent contributor to this national debate, albeit a very important one. Contrary to popular opinion – and, to some extent, that of this series itself – America actually won most of the battles in that conflict. Nonetheless, it is quite true that we lost the war when we withdrew in 1973, and thus allowed South Vietnam to fall to communism. The doves and the hawks do not really agree on much about this war, but one thing is universally agreed upon: the war was a disaster for the United States and its allies. It caused their prestige to dwindle somewhat abroad, and gave them a reputation for lacking the political will to fight, let alone to stand up to the attempted expansion of communist regimes. (And unlike many other writers, I will not pretend that I have no opinion on this subject; but will admit my partiality up front, honestly and unabashedly.)

A review of “The Irish Rebellion 1916” (PBS)

“In every generation the Irish people have asserted their right to national freedom and sovereignty; six times during the past three hundred years they have asserted it in arms. Standing on that fundamental right and again asserting it in arms in the face of the world, we hereby proclaim the Irish Republic as a Sovereign Independent State, and we pledge our lives and the lives of our comrades in arms to the cause of its freedom, of its welfare, and of its exaltation among the nations.”

– “Proclamation of the Irish Republic,” 24 April 1916 (during World War One)

Other rebellions had tried to establish Irish independence, but this is the one that succeeded …

There have been many rebellions against British authority in what is today “Ireland,” but most of these rebellions failed to overthrow British rule in Ireland. Indeed, this is part of the reason that the initial rebellions were followed by others in later centuries, to finish the work that the others had tried to begin. But the Irish rebellion of 1916 is the one that succeeded where the others had failed. This is the rebellion that succeeded in creating the “Irish Free State,” which would one day be known as the “Republic of Ireland” – a name that it acquired later, some decades after the fact. Other documentaries have covered this ground before, but PBS seems to cover it in much greater depth than any of the others. Even three hours doesn’t really do this subject justice, as it turns out, but this program seems to make the most of its (still fairly limited) running time. It helps you to understand why this Irish rebellion happened – and why it ultimately succeeded, where the others had failed.

A review of “Civilizations”

A modern series inspired by Kenneth Clark’s “Civilisation” (which aired in 1969) …

Before watching this program, I knew next to nothing about the visual arts – and, to a large degree, I still don’t. Although I have watched the original “Civilisation” series by Kenneth Clark – which this series was “inspired by,” in the words of its DVD case – I can claim no expertise on its subject matter. Nonetheless, I am a history buff, and am very interested in world history to boot. More to the point, I loved the original Kenneth Clark series from 1969, and wanted to see if this series would be as good as the original. Sadly, though, I did not see this modern reboot as it was originally shown on the BBC. I watched the PBS version, which made some major changes from the BBC source material. Most significantly, it featured the narration of actor Liev Schreiber throughout the series, which is not as good as that of the three scholars who were hosting this program. Their influence is still evident here, because their own talking-head pieces are still used even by PBS. But the narration was completely taken over by Liev Schreiber, and I found his narration to be less to my liking than the original clips from the three scholars.

The Taj Mahal, an Indo-Islamic building

A review of “Athens: The Dawn of Democracy”

“Sparta, Athens, Rome, and Carthage were all republics; two of them, Athens and Carthage, of the commercial kind. Yet were they as often engaged in wars, offensive and defensive, as the neighboring monarchies of the same times. Sparta was little better than a wellregulated camp; and Rome was never sated of carnage and conquest.”

– Alexander Hamilton, in the Federalist Papers (Federalist No. 6)

I have been learning the Ancient Greek language since 2013. The Athenian dialect of the language is the standard dialect taught in introductory classes about “Ancient Greek,” and the dialect that I’ve studied most. Thus, my education about Ancient Greece has been largely focused on Ancient Athens. But although I didn’t learn a lot of new content in this documentary, I enjoyed hearing what Bettany Hughes had to say about this familiar content. I am also a fan of her film about the Spartans, who are from a very different part of Ancient Greece. She portrays Athens more sympathetically than she does the Spartans, and this is as it should be. Nonetheless, this is a “warts and all” portrayal of Ancient Athens, which does not sugar-coat certain parts of the city’s legacy.

Athenian statesman Pericles

A review of PBS's “Influenza 1918” (American Experience)

“I had a little bird
Whose name was Enza,
I opened the door
and ‘in-flew-Enza.’ ”

– A popular ditty sung by children, at the time that the deadly epidemic was still going on

Two-thirds of a million Americans died from a deadly influenza strain called “Spanish flu” …

In the United States, more than two-thirds of a million Americans died in an influenza epidemic in 1918 – a particularly deadly strain of it that Americans call the “Spanish flu.” This is more American deaths than from all of the wars of the twentieth century combined. As a percentage of our population, we didn't lose as many people in World War One as many of the other nations did. For some other nations, World War One was actually more devastating than the flu epidemic. But the Spanish flu (not to be confused with common flu) was a worldwide epidemic, and killed comparable percentages of the population in many other nations. Nonetheless, this documentary focuses on the United States, as you might expect from a series calling itself “American Experience.” They show the full horrors of the Spanish flu epidemic, and bring them to life for a generation that have seldom heard of them.

A review of “The Plague” (History Channel)

The greatest outbreak of disease in recorded human history (the Black Death) …

It is still the greatest outbreak of disease in recorded human history. Some estimate that the plague killed 30 percent of the European population, but many others place it around 50 percent. To many Europeans of this time, the apocalyptic Plague seemed like “the end of the world,” and there may have been reason for them to see it this way. No war has ever killed as many people as the “Great Plague” did, and the death toll was easily numbered in the millions. Small wonder, then, that this massive outbreak of the fourteenth century is sometimes known simply as “the Plague,” as it is called in this documentary's title.