Budgets are the bane of documentary filmmakers, as well as their biggest constraint
I’ve watched a few films by Elizabeth Deane, who has made a number of documentaries for PBS. In the special features for one of her films, she once lamented that “We have Hollywood ambitions, but we don’t have Hollywood budgets.” That sums up the primary problem with most re-enactments in the documentary world: they’re terribly low-budget. You’ve probably seen this kind of thing in your high school history class. Your teacher shows you a documentary film, and you see a couple of guys in period uniforms going across the screen in slow motion (isn’t that exciting). Even though it’s in color (and modern audiences love color), the kids are bored by the spartan quality of the re-enactments. In fairness, this is understandable for a generation that’s grown up on some expensive Hollywood re-enactments. Academy Awards have been won (and well-earned) by delivering high-quality re-enactments for a major historical movie. But the ones that we see in documentaries are seldom all that impressive – although they can sometimes still be helpful despite this.







