Plato wrote many great works, such as his records of the trial of Socrates. Specifically, his work “Apology” alone alone could earn him a place in the pantheon of Western philosophers. But his work entitled “Republic” is different. It seems to be best known today for its near-totalitarian political philosophy. Specifically, in that work, Plato advocated a philosopher-king with absolute power. I’ve never been a big fan of this particular part of the work. In fairness, Plato was writing more than 2,000 years ago, and did not have the kind of hindsight that we have today. I have more mixed feelings about Plato’s theory of forms, another doctrine detailed in the pages of “The Republic.” It’s not a very practical theory, but it may be among the first attempts in history to grapple with the problems presented by abstract concepts, and the concrete physical examples of them. Since I admittedly lack any true expertise in metaphysics, I will refrain from commenting further on Plato’s theory of forms in this particular post. And I will instead leave the discussion of Plato’s political theory to two other posts (here and here, respectively). Here, I will instead undertake to comment on a different part of “The Republic” – one of the few parts that actually meets with my approval. Specifically, I will be commenting here on Plato’s famous “Allegory of the Cave,” one of the classic allegories of Western literature and philosophy. It can be taken broadly as a metaphor for the discovery (or re-discovery) of some kind of world, which was previously unknown or forgotten. It could also be a metaphor for political or religious conversion, or the discovery of some subculture in which one finally feels at home.
Plato








