Showing posts with label Niccolò Machiavelli. Show all posts
Showing posts with label Niccolò Machiavelli. Show all posts

Monday, May 3, 2021

A review of Machiavelli’s “The Prince” (audiobook)



I had read “The Prince” itself before listening to this audiobook, sometime during the winter of 2006-2007. It was in English translation, since I don’t speak Italian, but it would still seem to have counted for something. Thus, you might expect that I didn’t learn anything from this audiobook. But on the contrary, I learned much from this hour-and-a-half audiobook.


Niccolò Machiavelli

Sunday, June 28, 2020

A review of Bettany Hughes’ “The Spartans”



“Athens became the seat of politeness and taste, the country of orators and philosophers. The elegance of its buildings equalled that of its language; on every side might be seen marble and canvas, animated by the hands of the most skilful artists. From Athens we derive those astonishing performances, which will serve as models to every corrupt age. The picture of Lacedæmon [a. k. a. “Sparta”] is not so highly coloured. There, the neighbouring nations used to say, ‘men were born virtuous, their native air seeming to inspire them with virtue.’ But its inhabitants have left us nothing but the memory of their heroic actions: monuments that should not count for less in our eyes than the most curious relics of Athenian marble.”

Jean-Jacques Rousseau, “A Discourse on the Arts and Sciences” (1750), First Part


Jean-Jacques Rousseau, an eighteenth-century admirer of the Spartans

A number of people have praised the Spartans – including Rousseau, Machiavelli, and Hitler …

Many centuries after the Spartans, Jean-Jacques Rousseau once praised their culture in his “Discourse on the Arts and Sciences.” He said that the memory of Sparta's heroic actions “should not count for less in our eyes than the most curious relics of Athenian marble” (as cited above). Niccolò Machiavelli was another philosopher who praised the Spartans. (See the footnote to this blog post for the details of this.) American colonists and French revolutionaries have sometimes been among those who praised the Spartans. In modern times, some liberals have also praised Sparta for what they perceive as its “greater respect” for women’s rights. And, as the presenter of this documentary notes, Adolf Hitler also praised the Spartans, with Nazi Germany using them as a model of sorts – particularly in their use of eugenics. (See the Wikipedia page on “Laconophilia,” or the “love of Sparta,” for some of the details of this.)


Adolf Hitler, a twentieth-century admirer of the Spartans

… while Alexander Hamilton considered Sparta to be “little better than a wellregulated camp”

Ironically, Sparta was admired even by some from its arch-rival Athens, the other great superpower of Ancient Greece. The Spartans actually believed that they were creating a “utopia.” But if anything, it seems to have been closer to the other end of the spectrum – a dystopia. Alexander Hamilton wrote in the Federalist Papers that “Sparta, Athens, Rome, and Carthage were all republics; two of them, Athens and Carthage, of the commercial kind. Yet were they as often engaged in wars, offensive and defensive, as the neighboring monarchies of the same times. Sparta was little better than a wellregulated camp; and Rome was never sated of carnage and conquest.” (Source: Federalist No. 6) Thus, although he recognized Sparta as a “republic,” Hamilton considered Sparta to be “little better than a wellregulated camp” (an accurate summation). This documentary shows that the truth about Sparta is less romantic, and far less flattering, than the description offered by Rousseau. It acknowledges the rights of women in Sparta, even as it repeats tired old myths about how women actually had more rights in Sparta than they did in Athens (although I should acknowledge that they were still second-class citizens in both). But as this documentary notes, Sparta was “no feminist paradise.” It was a hellish dystopia (as mentioned earlier), with no real concept of human rights. It killed those boys that it deemed “weak,” denying them any future chance to redeem themselves for the unforgivable “crime” of weakness.


Jean-Pierre Saint-Ours’s “The Selection of Children in Sparta,” painted 1785

Sunday, May 3, 2020

Actually, Machiavelli WAS pro-dictatorship (and Rousseau was wrong about him)



“I admit that, provided the subjects remained always in submission, the prince's interest would indeed be that it should be powerful, in order that its power, being his own, might make him formidable to his neighbours; but, this interest being merely secondary and subordinate, and strength being incompatible with submission, princes naturally give the preference always to the principle that is more to their immediate advantage. This is what Samuel put strongly before the Hebrews, and what Macchiavelli has clearly shown. He professed to teach kings; but it was the people he really taught. His Prince is the book of Republicans.[footnote]

Jean-Jacques Rousseau’s “The Social Contract” (1762), Book III, Chapter VI

Rousseau said that Machiavelli's “The Prince” is “the book of Republicans” …

More than 200 years after Niccolò Machiavelli wrote “The Prince” in 1532, Jean-Jacques Rousseau commented on this work in 1762. Rousseau argued that it was “the book of Republicans.[footnote]” (Source: “The Social Contract,” Book III, Chapter VI). In this context, “Republicans” seems to mean “those who support a republic.” Was this meant as positive praise or negative criticism? It appears that this was indeed meant as praise, as we can see by examining Rousseau's definition of a “republic” (as I shall do below).


Jean-Jacques Rousseau

… and said that “every legitimate government is republican”

Elsewhere in “The Social Contract,” Rousseau had written: “I therefore give the name 'Republic' to every State that is governed by laws, no matter what the form of its administration may be: for only in such a case does the public interest govern, and the res publica rank as a reality. Every legitimate government is republican;[footnote] what government is I will explain later on.” (Source: Book II, Chapter VI) In the footnote to this paragraph, Rousseau actually said that “I understand by this word republic, not merely an aristocracy or a democracy, but generally any government directed by the general will, which is the law. To be legitimate, the government must be, not one with the Sovereign, but its minister. In such a case even a monarchy is a Republic.” (Source: Footnote to Book II, Chapter VI) Thus, for Rousseau, “even a monarchy is a Republic,” and “every legitimate government is republican.” Thus, referring to “The Prince” as “the book of Republicans” seems to be meant as positive praise.


Jean-Jacques Rousseau, later in life

Machiavelli argued that Cesare Borgia was a good ruler. (Was he?)



I shall never hesitate to cite Cesare Borgia and his actions. This duke entered the Romagna with auxiliaries, taking there only French soldiers, and with them he captured Imola and Forli; but afterwards, such forces not appearing to him reliable, he turned to mercenaries, discerning less danger in them, and enlisted the Orsini and Vitelli; whom presently, on handling and finding them doubtful, unfaithful, and dangerous, he destroyed and turned to his own men.

And the difference between one and the other of these forces can easily be seen when one considers the difference there was in the reputation of the duke, when he had the French, when he had the Orsini and Vitelli, and when he relied on his own soldiers, on whose fidelity he could always count and found it ever increasing; he was never esteemed more highly than when every one saw that he was complete master of his own forces.”

Niccolò Machiavelli's “The Prince” (1532), Chapter XIII


Niccolò Machiavelli

Rousseau argued that Machiavelli's choice of Borgia as his hero revealed a “hidden aim” …

More than 200 years after Niccolò Machiavelli wrote “The Prince” in 1532, Jean-Jacques Rousseau would comment on this work in 1762. In his work “The Social Contract,” Rousseau opined that “Macchiavelli was a proper man and a good citizen; but, being attached to the court of the Medici, he could not help veiling his love of liberty in the midst of his country's oppression. The choice of his detestable hero, Cæsar Borgia, clearly enough shows his hidden aim; and the contradiction between the teaching of the Prince and that of the Discourses on Livy and the History of Florence shows that this profound political thinker has so far been studied only by superficial or corrupt readers. The Court of Rome sternly prohibited his book. I can well believe it; for it is that Court it most clearly portrays.” (Source: Footnote to Book III, Chapter VI) Even Rousseau admitted that Machiavelli's hero “Cæsar Borgia” was “detestable” (calling him his “detestable hero,” after all), but he argued that this strange choice “clearly enough shows [Machiavelli's] hidden aim” right after this. In this passage, a “love of liberty” is thus implied to be a part of this “hidden aim.” Was it really so? I shall examine this question below.


Jean-Jacques Rousseau